Writer, artist and researcher.

I like to build situations where language can happen otherwise. Where I, we, you become materials. A simple instruction might suffice. Stop saying I. When I, we and you swap and convert, co-verse, sometimes something emerges that does not yet, or not fully, exist — in and beyond language.

My recent project, outerwoman, is a thought experiment on a world where pregnancy no longer depends on a womb. It can happen elsewhere — in any body, machine, or thing. In collaboration with midwives, biologists, neonatologists and three performers, I developed a series of playful methods of speaking and writing using the suspension of pregnancy as a speculative device. From outerwomb, we revisit love, desire, parenthood and sexuality. We lend our own biographies and bodies to test other possible relations beyond the biological family.

Certain questions keep returning to me: How do we make each other? How do pain and knowing relate? How can »we« transform? With the choreographer Charlotta Ruth, I train the muscle of questioning and we-speak. Recently, Emma Cocker, Lena Séraphin and I facilitated Convocation III, bringing together more than seventy artists at the University of Applied Arts Vienna. Together we founded the Special Interest Group for Language-Based Artistic Research (SIG/SAR). Most recently, I’m back in conversation with Grünewald’s painted Mary, together with the performer Sebastian Bark (She She Pop).

My work grows out of long-term field studies and collaborations. It moves between speaking, performing and writing. Books find their form slowly. Sehr was published by Ritter Verlag in 2024. Soon outerwoman. Ein Handwörterbuch will be published by Vexer Verlag.

You can download my CV here. For invitations, collaborations or questions, please get in touch.

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